TOYAH WILLCOX Major commercial success has finally
come to Toyah, after several years of being
widely dismissed as the dumpy little singer with
a pushy attitude, bright orange hair and a very
pronounced lisp. Two major factors have
contributed to her acceptance throughout the
music world - her recent sell-out tour and her
latest album 'Anthem' which is being hailed as a
triumph. Toyah has always had the courage of her
convictions, and the quality shines through in
this collection of powerful and moody songs. The
single 'I Want To Be Free' is certainly an anthem
for her generation.
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| "I was very bored
and frustrated as a child," she says, "so
I can understand a lot of the difficulties kids
face today. That's why I don't preach to them.
They don't want to be reminded of their problems
when they come to see me. They want to escape and
enjoy themselves." Seas of hands reach out
to touch Toyah Willcox as she leaps and bobs
around the stage, her sunshine yellow and ornage
hair splashing the stage with colour. Her clothes
are white, her jewellery dramatic and heavy about
her tiny form. Toyah has recently completed a
sell-out tour of the country - after collapsing
from exhaustion in Sheffield on her twenty-third
birthday. She says that in the last year she
feels as if she has aged ten. A world tour is
scheduled for later in the year, so it's a pace
that she will now have to get used to. But there
are other ways in which Toyah is determined not
to change.
"I don't
like having to act like a star," she says.
"I hate having to ignore fans in case I get
trapped by dozens of others. I try to stay as
much in contact with them as possible, but I
realise now that in my private life I have to be
top secret. The thing I care about most is my
audience. Kids get such a raw deal these days and
are treated so badly by many rock stars that I
find myself feeling guilty. We are not 'Gods' or
'Superstars'. We must remain accessible and not
ignore them just because we're popular."
Toyah will
remain one of the people because her own origins
were humble - and often extremely painful. But
she was determined to be a non-conformist,
whatever the cost. At 16, she admits she was the
laughing stock of Birmingham. "Bus drivers
wouldn't even stop for me because I looked so
weird. I based my appearance on Mr Spock of 'Star
Trek'. The back of my head was shaved, and the
front grew down over my face. I wanted to look
different and interesting, but all I succeeded in
doing was frightening people. And when they
laughed at me I felt really hurt."
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Toyah joined Birmingham
Old Repertory Drama School before moving to
london at 18 for a part in the National Theatre
production of 'Vienna Woods'. She went on to
appear in two films, 'The Tempest' and
'Quadrophenia', several television roles in
programmes like 'Shoestring', 'Quatermass' and
'Minder', and a starring role in the West End
production of 'Sugar And Spice'. But it was on a
career as a singer that Toyah had her heart set
on. "Acting came easily
to me. Although I was nervous going on stage, it
was nothing compared to singing. I even went to
auditions, yet I would get so wound up that I
would have to run out. I suppose singing meant so
much to me that I was terrified of failing. The
turning point came when I landed a part that
meant I had to sing. There was no going back then."
Toyah finds
acting relaxing because she can hide behind the
personality of the role, the music very
stimulating because she can be herself. Her songs
are joyous rebellions against conformity.
"People
see me and think I'm thick - some silly tart who
dyes her hair different colours," she says.
"But it
takes guts, because I can't walk down the street
without being laughed at or thought cheap. I want
other kids to have the courage to do what they
want to do."
The Futurists 2
- Summer 1981
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