| Have four years of
marriage (to Robert Fripp, guitarist and founder
of Seventies group King Crimson) and a nice home
in the country taken the fire out of her belly?
Is the album she's currently recording, with the
working title Ophelia's Shadow, to be a listless
liturgy of what it's like to be a hellraiser who
decides to settle down? I ask her. The famous
green eyes flash with indignation: 'I haven't
calmed down. My life is busier than ever. And to
suggest that marriage is a safe option is quite
ridiculous.'
But whether she
likes it or not, it does appear that Toyah, the
non-conformist, has decided to conform. She and
her husband now live in stately splendour in the
house that was the Queen Anne home of Sir Cecil
Beaton.
The girl who
joined the Hell's Angels aged 11, reputedly drank
a bottle of vodka a day and was chucked out of
her fee-paying school, is now engaged in
restoring her £500,000 home, and is known by the
locals quite simply as 'Mrs Fripp'.
Toyah doesn't
like to talk about the house. But it's well-known
that she is expecting to spend an estimated £2million
restoring it.
Rumours in the
area had it that 'nouveau' taste would prevail.
But the Fripps have insisted that their aim is to
recreate the elegance of the Beaton era - a
bizarre backdrop, some might say, for this
hyperactive rebel.
It's been an
uncomfortable transition for Toyah, the girl who
has marketed herself on being an anti-establishment
free spirit - and you feel she's still furiously
justifying her new status.
'When we first
married, I lived totally in his world, and I
thought 'I'm losing my identity, and I hate
this'. I had two years of absolute hell. I think
it's very easy to become absorbed by someone -
and if anything, my new album is about becoming
absorbed and fighting that.'
She has always
fought - from the moment she was born, a sickly
baby with a crooked spine and one leg shorter
than the other. And it is almost too obvious to
state that her low self-image as a teenager (although
only 4ft 11ins, she weighed a hefty 11 stone) is
an explanation for her obsession with image.
Toyah creates
images, lives them and then discards them - not
for nothing was The Changeling the title of her
fourth album. No longer the pink-haired punkette,
she now wants to tell the world that she's a
serious actress, a serious singer and songwriter,
and, so she clams, an anarchist despite marriage
and a mansion.
|
Carefully she explains
her relationship with Fripp: 'I only see my
husband for two weeks in any month - so I'm on my
own more than I've ever been. I enjoy that
solitude, and I find that's when I get my
best work done. When he's home I only see my
husband at lunchtime and then in the evening.' (He
is always 'my husband', never Robert). 'I will not cook for anyone. I will not
feel dependant. Going ot bed and having good sex
means more to me than making lunch. In the
beginning it was very hard for us, both being
people who love our isolation. But now we've
learned to be isolated and together at the same
time.'
Fripp cannot be
an easy man to be married to. Eleven years her
senior, he has a reputation for fussy precision
and immaculate appearance. His friends hated
Toyah on sight, but typically, she held up two
fingers to their disapproval, 'His friends always
referred to me as naive. They really thought he'd
flipped.'
Like all tough
people, she claims not to be tough: 'I'm
determined, yes - very self-contained. I suppose
it would be a lie to say I wasn't selfish. Maybe
that's one reason I've never wanted children.
'I was
sterlised after an illness two years ago. It was
probably the most liberating moment in my life.
My work gives me all the creativity I need.'
She's shortly
to start rehearsals for a touring production of
The Taming Of The Shrew, and is also
collaborating with Fripp on a joint album. 'His
fans will hate it. They loathe it when he dares
bastardise his music - but that's their problem.
They ought ot go and have therapy.'
She stands up,
smiles and trundles lop-sidedly to the door: 'I'm
actually very pleased with who I am. Look at me -
I've made it!'
Daily Mail -
1990
Thanks to
Michael Cooney for providing this.
|